Press Materials


“They play as if they’re a single, eight-armed organism”
-NPR Music

“Virtuosity and deft, precisely timed wit”
-Washington Post

“Commandingly elegant”
-New York Times

-Alex Ross, The New Yorker

“An inspirational sense of fun and curiosity”
-Minnesota Star-Tribune

“The group performed with absolute aplomb”
-Boston Globe

-Chicago Tribune

“Mysterious, funny, endlessly inventive”
-Boston Classical Review

-Independent (UK)

“Technical precision, palpable groove and outstanding sound”
-Time Out New York 

-New York Times

“Savvy and hyper-talented young percussionists”
-Musical Toronto

“Fluency and zest”
-Andrew Clements, the Guardian (UK)

“Undeniably groovy…masterfully performed”
-Time Out Chicago

“One of the country’s finest new music ensembles”
-Chicago Reader

“The musicality and fierce focus of Third Coast Percussion electrified the room.”
-Sarasota Herald-Tribune 

Reviews and Features

Interview: Third Coast Percussion Comes To Town


March 2, 2017
Interview by Joshua Zinn

Rob Dillon of the recent Grammy-winning percussion group talks about their upcoming Houston concert and the music of Steve Reich.

“Surreal” is how Rob Dillon described Third Coast Percussion‘s recent Grammy Award for “Best Chamber Music/Small Ensemble Performance” for their album Third Coast Percussion | Steve Reich. And part of that Grammy success will be presented on stage when the ensemble performs in Houston presented by the Society for the Performing Arts this weekend! On the concert will be one of the pieces from the CD, Reich’s Mallet Quartet. In describing the piece, Dillon says that it has “that rhythmic drive that comes from a lot of Reich’s earlier works,” but it is different from the process-driven minimalism the composer was known for in his early career.

As percussionists, the group greatly benefits from twentieth and twenty-first century composers like Steve Reich: “As a percussion quartet, we’re a fairly young art form within the classical music world… Beethoven didn’t write percussion quartets, unfortunately! But there are a couple of composers particularly who featured percussion so prominently in their works that it’s helped us come into our own… and I think Steve Reich is one of those composers.”

Click here to listen to the full interview.

An Interview with Grammy-Winning Third Coast Percussion’s Rob Dillon

Primephonic logos round 2.2

February 16, 2017
Interview by Rachel Deloughry

Third Coast Percussion, a dynamic Chicago-based quartet have just won a Grammy for the best small ensemble category! primephonic spoke to one of their members, Rob Dillon, about the percussionists’s world, from orchestral and chamber music to Ghanaian and Zimbabwean drumming in unique collaborations, as well as delving into the sound-universe of Steve Reich’s works.

Click here to read the full interview.

Alumni percussion ensemble wins a Grammy


February 16, 2017
by Kelley Czajka

Third Coast Percussion, a classical percussion ensemble comprising four NU alumni, took home a Grammy award Sunday night. Its album “Steve Reich” won the award for Best Chamber Group/Small Ensemble Performance.

This was the first time the group had been nominated for or awarded a Grammy, as well as the first time any percussion group has won a chamber music category, Third Coast member Robert Dillon said.

“We’re very proud of the work that we’ve done and are thrilled to have the honor, but we also definitely recognize that for music, it’s something that’s passed down from one generation to the next through teachers and mentors of all kinds,” Dillon said.

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After Grammy win, Third Coast Percussion comes to Columbia


February 16, 2017
Meredith McGrath

On Sunday, Third Coast Percussion took home this year’s Grammy Award for Best Chamber Music/Small Ensemble Performance.

Now for the first time, the ensemble is headed to our neck of the woods to work with local music students and perform at the Missouri Theatre on Friday.

The quartet from Chicago gave an educational performance for students at Lee Expressive Arts Elementary School on Tuesday and has been working with students at the MU School of Music.

Percussion students had the opportunity to attend a seminar with the group, where they learned about its background, received career advice and had their own performances critiqued by the professionally trained percussionists.

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Northwestern alumni percussion group nominated for Grammys, attribute success to university


February 9, 2017
by Rishika Dugyala

Peter Martin was not having a good morning.

It was 8 a.m. on Dec. 6 and Martin (Bienen ‘04, ‘11) was rushing to get to his classical percussion ensemble’s — Third Coast Percussion — studio space to start practicing before all the musicians began their group rehearsal at 10 a.m.

The week was a busy one for the group: They had an intense rehearsal schedule to prepare for a couple of recording sessions, and they were in the middle of an educational project at an elementary school on the South Side of Chicago.

“I’ve got to get to the studio; I’ve got to get there,” Martin thought, stumbling out of his Chicago apartment. But as soon as the door shut, he froze. He had left his keys on the counter, locking himself out.

Frustrated, Martin spent about a half hour sorting out the situation before he finally began his walk to the studio. But moments later, his morning luck changed. His phone chimed with a text message. It was his sister congratulating him.

His group’s album, “Steve Reich,” had just been nominated for a 2017 Grammy Award.

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Third Coast Percussion premieres new work by Christopher Cerrone


February 2, 2017
by Jack Walton

Once again, Third Coast Percussion has roused the Sleeping Giant.

Sleeping Giant is the name of a composers’ collective, an alliance of six increasingly prominent young American explorers in the field of contemporary classical music. Third Coast Percussion, the DeBartolo Performing Arts Center’s ensemble-in-residence at the University of Notre Dame, has already performed new works from two of them — Timo Andres and Ted Hearne — and now the percussionists take on a third.

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Grammy winning Third Coast Percussion performs at Lee Expressive Arts Elementary


February 15, 2017
by Roger McKinney

New Grammy Award winners Third Coast Percussion on Tuesday stopped at Lee Expressive Arts Elementary School, where the band entertained and interacted with students.

Third Coast Percussion, from the Chicago area, won its first Grammy on Sunday, for Best Chamber Music/Small Ensemble Performance. A student asked the musicians how it felt to win the Grammy.

Band member David Skidmore said the award feels good because they had worked really hard for a long time. He said it’s more fun to perform and interact with students.

“This is why we do what we do,” Skidmore said.

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The Best of the Fall Season: Classical New Releases


December 12, 2016
by Mark Pinto

Third Coast Percussion: Steve Reich. The compositional style known as minimalism still sounds so new that it’s hard to believe one of its pioneers—New York City’s Steve Reich—has just turned 80. This album, by Chicago-based Third Coast Percussion, celebrates Reich’s milestone with smooth, spirited, and precise performances of four works for tuned percussion: marimbas, vibraphones, pianos, and even slats of purpleheart wood.

Composed between 1973 and 2009, these works showcase Reich’s trademark style. Steady, complex, interlocking rhythmic patterns create jazzy melodies and harmonies as they evolve subtly in their rhythms, textures, instrumentation, and dynamics. The effect is fascinatingly kaleidoscopic, allowing for multiple entry points into this dynamic and uniquely American music.

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Third Coast Percussion provides an Ear Taxi highlight with jointly composed premiere


by Tim Sawyier
October 9, 2016

The program opened with Third Coast Percussion giving the world premiere of its own Reaction Yield. While all four TCP members—Sean Connors, Robert Dillon, Peter Martin, and David Skidmore—compose their own music, this is the first work they have written together collaboratively. Commissioned by the Glenn D. Prestwich and the Sounds of Science Commissioning Club, which subsidizes pieces that fuse music and science, Reaction Yield was far and away the evening’s highlight.

While the work is divided into four connected movements, Dillon in his prefatory remarks was emphatic that no member was solely responsible for any one segment. A delicate pulsing suffuses and unifies the whole work, while the individual sections are discernible by changes in instrumentation. Particularly memorable was an interlude calling for four triangles of different pitches combined with glockenspiels, which generated an ethereal rhythmic tintinnabulation. Three members also performed on amplified kalimbas (thumb harps) for an extended period creating a hypnotic, meditative atmosphere. One hopes that this will be the first of many collaborative compositions from Third Coast.


Click here to read the original article.