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St. Paul Chamber Orchestra’s Liquid Music Series

Third Coast Percussion return to Liquid Music with new works by two incredible musical minds: the iconic American composer Philip Glass and the pop polymath Devonté Hynes, a.k.a. Blood Orange. Glass's new work Perpetulum, written for Third Coast Percussion and co-commissioned by Liquid Music, is his first ever for percussion ensemble. Hynes, who has also become a Glass collaborator in recent years, brings his “dense modern pop with roots in hip-hop, R&B and NYC culture” (The Guardian) to an entirely new sound world in his piece for Third Coast Percussion.

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Perpetulum by Philip Glass was commissioned for Third Coast Percussion with lead support from the Maxine and Stuart Frankel Foundation. The work was co-commissioned by Elizabeth and Justus Schlichting for Segerstrom Center for the Arts, Bravo! Vail Music Festival, San Francisco Performances, Town Hall Seattle, Performance Santa Fe, the University of Notre Dame’s DeBartolo Performing Arts Center, and the Third Coast Percussion New Works Fund, with additional support from Friedrich Burian, Bruce Oltman, MiTO Settembre Musica, The Saint Paul Chamber Orchestra’s Liquid Music Series, and the Percussive Arts Society.

 

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