From concert and album reviews to feature articles, Third Coast Percussion is in the news.

We are fortunate to have garnered critical acclaim and recognition for so many of our performances and projects. See for yourself what the buzz is all about by reading what the press has to say! Browse reviews, articles, and much more below.

Third Coast Percussion at The Nasher Sculpture Center

October 20, 2017, by Third Coast Percussion

October 20, 2017 by Scott Cantrell The Nasher Sculpture Center's "Soundings" would be hard to dethrone as the area's most inventive, even provocative, classical concert series. Curated by pianist Seth Knopp, it mainly focuses on new music, but often with illuminating associations with older fare. The 1966 Bill Mason film Paddle to the Sea, itself based on the eponymous 1941 children's book by Holling C. Holling, was the engine of Wednesday's performance by Third Coast Percussion, a Grammy Award-winning ensemble in residence at the University of Notre Dame in Indiana. The program drew a literally SRO audience to the Nasher's basement auditorium; even after additional chairs were brought in, some people were left standing. Facing a side wall, the audience was arranged in semicircles around an array of tuned and untuned percussion instruments. Episodes from the film, about the waterborne adventures of a child's small, hand-carved American Indian in a canoe, were projected…

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Chicago Philharmonic Presents New Work by Augusta Read Thomas with Third Coast Percussion

October 19, 2017, by Third Coast Percussion

October 18, 2017 by BWW News Desk The Chicago Philharmonic returns to Harris Theater on November 12 for the third year, proudly presenting the world premiere of Augusta Read Thomas' Sonorous Earth with 2017 Grammy award-winning Third Coast Percussion. This celebration of commonality across cultures and the "extraordinary beauty and diversity inherent in bell sounds" (Thomas), was inspired by her 2012 composition Resounding Earth with the groundbreaking Chicago percussion ensemble and features heavily Thomas' trademark use of bells with over 300 pieces of metal sourced from a range of cultures and historical periods. The Chicago Philharmonic Society commissioned this work by Thomas, an acclaimed Grammy winning and Pulitzer nominated composer who is currently University Professor at the University of Chicago. Thomas devoted 18 months to composing Sonorous Earth, which can be heard as a "United-Nations-of-Resonances." The work is also co-commissioned by the Eugene Symphony who will present the West Coast…

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Third Coast Percussion Soars After Winning Grammy Award

August 31, 2017, by Third Coast Percussion

August 29, 2017 by Louis Harris Last year’s Ear Taxi Festival put Chicago’s vibrant contemporary art music scene on display, demonstrating a deep and talented community of local composers and performers. One of the brightest lights of our scene is Third Coast Percussion, a quartet of classically trained musicians who specialize in hitting objects with mallets, drum sticks, hammers, hands, fingers—anything that elicits a rhythmic sound from another object.  ...  Their music is not centered on bongos or a drum kit; rather, it features marimbas, vibraphones, bells, triangles, cymbals, chimes, gongs, and all manner of resounding objects. The ensemble has now won their first Grammy, toured internationally, and completed their first collective musical compositions. In reflecting on TCP’s aspirations, Skidmore said, “To continue to reach new audiences is a big thing for us, and that means not just here in the States but also overseas. We’d like to do more international touring, including…

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CD Reviews: The Book of Keyboards

, by Third Coast Percussion

by Blair Sanderson August 29, 2017 For its third release on the New Focus label, the Chicago-based ensemble Third Coast Percussion presents works by the French composer Philippe Manoury in an album of intriguing tone color studies called "The Book of Keyboards."   ...   The performances have a hypnotic quality, and Third Coast Percussion delivers plenty of atmosphere, though the ensemble’s playing is clearly well-rehearsed and precise. ... Click here to read the full review. 

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CD reviews: a Reich retrospective.

July 22, 2017, by Third Coast Percussion

April 15, 2016 by Patrick Rucker REICH: Third Coast Percussion: Cedille Records In artistic matters, labeling anyone “the greatest” almost always boils down to oversimplification or hyperbole. But it is difficult to argue with Kyle Gann, who wrote that Steve Reich “may be considered, by general acclamation, America’s greatest living composer.” Reich turns 80 in October, and the Chicago-based group Third Coast Percussion has devoted its latest recording to works spanning his long career. TCP — Sean Connors, Robert Dillon, Peter Martin and David Skidmore — describe themselves as “second generation” Reich interpreters, meaning that none of them worked with the composer and all of them came of age when his music was already established in the repertory. (more…)

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Three Takes on a Minimalist Pioneer

July 18, 2016, by Third Coast Percussion

by Allan Kozinn July 4, 2016 Not so long ago, new recordings of Steve Reich’s music, while intended, on one level, for the enjoyment of the composer’s fans, were just as importantly in the business of documenting Mr. Reich’s evolving style. Most of the performances were by his own ensemble, Steve Reich and Musicians, or by the musicians who commissioned the works, usually with Mr. Reich supervising. It was not certain that these works would ever have second recordings, and at the time that didn’t matter: When you have music that is essentially rhythm-driven, with motoric surfaces and a modernistic rejection of emotionalism in favor of precision, what more do you need than a recording made under the composer’s imprimatur? As it turns out, Mr. Reich’s work is as interpretable as the Beethoven string quartets or the Boulez piano sonatas. Alarm Will Sound made that point with its debut recording,…

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Top 10 Classical Albums

January 4, 2017, by Third Coast Percussion

December 23, 2016 by Zoë Madonna REICH: MALLET QUARTET, SEXTET, NAGOYA MARIMBAS AND MUSIC FOR PIECES OF WOOD Third Coast Percussion These Chicago-based percussion adventurers ride Reich’s phasing waves with a subtle hint of slink. This is a record so translucent and playful that the phrases seem to leap out of your headphones, and individual blocks of wood melt into a blissful flow. Click here for original article. 

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New Sounds: With Third Coast Percussion

July 26, 2017, by Third Coast Percussion

May 25, 2017 by John Shaefer Members of Chicago-based quartet Third Coast Percussion, Robert Dillon and David Skidmore, present an exclusive preview of a rehearsal recording of major piece for percussion by Irish composer Donnacha Dennehy. It’s a large work for tuned drums, inspired by the traditional frame drum, the bodhran, and based on the overtone series. Players get to bend the pitches and venture into the world of microtonal music. Listen to these tom tom drums with surgical tubes attached for a player to exhale and alter the pitch of the drum by expanding the column of air inside in Dennehy’s piece, “Surface Tension.” Also, hear Reich’s “Nagoya Marimbas” along with “Mallet Quartet,” from their brand new recording of music by Steve Reich. A fun aside: Third Coast Percussion has created a mobile app for users to interact with Steve Reich. Look for the app “Third Coast Percussion, the…

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One With Nature: Musical piece encompasses Artosphere values

July 22, 2017, by Third Coast Percussion

May 19, 2017 by Jocelyn Murphy What do you get when you bring together just shy of 100 musicians, spread them around an outdoor venue and give them a piece of music that celebrates and blends with the nature around it? “Inuksuit” swells to a very chaotic, very climactic middle section, and then recedes back into the soundscape of the garden, shares Sean Connors with Third Coast Percussion. The Grammy-winning percussion ensemble will host the striking musical piece at the Botanical Garden of the Ozarks tonight. “And one of the cool things that happens, at least in every performance I’ve been a part of, is the piece ends with some flutes and glockenspiels emulating bird calls, and we’ve always experienced birds singing back to us, so the last sound you hear are living, real wild birds.” Click here to read the original article.

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EXCELcast: Third Coast Percussion on Investing in your Hidden Strengths

July 26, 2017, by Third Coast Percussion

May 9, 2017 Interview by Jonathan Kuuskoski Grammy-winning ensemble Third Coast Percussion shares their experience in growing as an independent, artist-run group, and their path to success through investing in their members' personal strengths! Click here to view the full interview.

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