From concert and album reviews to feature articles, Third Coast Percussion is in the news.
We are fortunate to have garnered critical acclaim and recognition for so many of our performances and projects. See for yourself what the buzz is all about by reading what the press has to say! Browse reviews, articles, and much more below.
Hylton Performing Arts Center: Third Coast Percussion Connects Students to STEAM
April 27, 2022, by Hylton Performing Arts Center
The Hylton Performing Arts Center Education Initiative continued its virtual field trips in March with an innovative STEAM-based learning experience with GRAMMY® Award-winning quartet Third Coast Percussion. Three thousand students Grades 2– 8 from Prince William County and the City of Manassas participated in WAVES: the Science Behind Sound. Performances by Third Coast Percussion are interspersed with interactive teaching moments connecting scientific and musical concepts in a six-video series. Students had the opportunity to explore amplitude and dynamics; frequency and pitch; noise versus pitch; and musical timbre and the sonic spectrum. The digital version of WAVES is based on an education program Third Coast Percussion toured in 2014 through 2019. It was developed through a collaboration with a professor at University of Notre Dame’s College of Engineering. “We passionately agreed that STEM subjects and the Arts have much more in common with each other than they are often given credit for having,” says Third Coast Percussion ensemble member Sean Connors.…
The Badger Herald: Metamorphosis at Hamel Music Center
April 6, 2022, by Nick Woodhouse
Grammy-award-winning instrumental group Third Coast Percussion, accompanied by Movement Art Is kicked off the Wisconsin Union Theater’s 102nd annual concert series from the Mead Witter Foundation Concert Hall at Hamel Music Center on Jan. 28. For Third Coast Percussion, Madison served as their debut stop along a live-audience tour — their first since the onset of the COVID-19 pandemic. The group’s new program, “Metamorphosis,” is a memorable experience from start to finish. The Chicago-based percussion group consists of four members — Sean Connors, Robert Dillon, Peter Martin and David Skidmore. TCP got its start in 2004 and has since received appraise from audiences and critics alike, perhaps most notably for their album “Third Coast Percussion: Steve Reich,” a tribute to the Pulitzer-Prize winning composer. The album won a Grammy, and this victory made them the first percussion group to win for a chamber music category. In an interview with The Badger…
The Capital City Hues: Metamorphosis: A Blending of Sight and Sound
April 11, 2022, by Jonathan Gramling
On the one hand, you have the Third Coast Percussion, a classically-trained group of percussionists who trained at Northwestern University and are based in Chicago. On the other hand, you have Movement Art Is, a group of popping dancers who began learning their art on the streets. And when you bring them together in an artistic presentation at the Wisconsin Union Theater on January 27th, you get “Metamorphosis.” “GRAMMY-winning percussion quartet Third Coast Percussion and renowned dance organization Movement Art Is will combine and celebrate U.S. street dancing styles and classical percussion ensemble music as they explore the questions of: what does the world look like to you, and how do where you’re from and your experiences shape that,” said a Wisconsin Union press release. “Through “Metamorphosis,” they work to collaboratively illustrate universal themes cast through the experiential lens of young Black men growing up in America today.” On some…
Fifteen Questions: Interview with Third Coast Percussion
April 5, 2022, by Fifteen Questions
When did you start playing your instrument, and what or who were your early passions and influences? What was it about music and/or sound that drew you to it? I started playing piano when I was 7. My grandmother got me a tiny electronic Casio keyboard, then my parents got me a cheap upright and I started taking lessons. I played trumpet for a year, then I picked up percussion when I was 12 and fell in love with music. I had fantastic teachers, I was good at it, and I had some incredible performance experiences in my first year of playing percussion that got me totally hooked. For most artists, originality is preceded by a phase of learning and, often, emulating others. What was this like for you: How would you describe your own development as an artist and the transition towards your own voice? I think emulating others…
Screen Magazine: Chicago Recording Company Helps ‘Archetypes’ Earn Three Grammy Noms
January 5, 2022, by Daniel Patton
On the 2021 album Archetypes, Chicago Recording Company (CRC) engineer Jonathan Lackey helped transform an ambitious musical vision into a trio of Grammy nominations. Archetypes is a collection of 12 “collaboratively composed” tracks by Brazilian guitarist Sérgio Assad, Chicago avant-garde classical ensemble Third Coast Percussion and Brazilian-American vocalist / multi-instrumentalist Clarice Assad, who is also Sérgio’s daughter. With an array of Latin accents, tricky beats and easy listening grooves, it sounds like Frank Zappa, King Crimson and Sérgio Mendes walked into a studio full of Claude Debussy, Maurice Ravel and Johann Sebastian Bach. According to the Third Coast website, the songs are “portraits of timeless character types that appear in stories, legends, and myths throughout the world.” According to Lackey, who worked with independent engineer Dan Nichols and Cedille Records house engineer Bill Maylone to complete the pictures, the individual compositions have a way of reflecting moods that is “almost cinematic.” “It opens with ‘The Rebel’, which…
Chicago Tribune: Chicagoan of the Year for Classical Music: Dan Nichols
, by Hannah Edgar
To date, Dan Nichols has never run a marketing campaign for his multimedia production company, Aphorism Studios. He doesn’t have to. Musicians call him. Even before he founded Aphorism in 2010, Nichols was one of Chicago’s fastest-rising recording engineers in a specific niche: contemporary classical music. Since then, musicians like flutist Nathalie Joachim, Spektral Quartet, Ensemble Dal Niente, and the vocal quartet Quince have all called upon Nichols and his growing team to engineer their albums. “All of these artists are trying to recalibrate classical and new music to be inclusive and have a broad appeal,” Nichols says. “We don’t draw genre-specific boxes around ourselves; we don’t want to be part of the problem with classical and new music. We want to be what moves it forward.” To date, five Aphorism-engineered albums have been nominated for Grammys — most recently “Archetypes,” a freewheeling collaboration between Third Coast Percussion, guitarist Sérgio…
The Arts Desk: “Archetypes” review
August 16, 2021, by Graham Rickson
Archetypes is an engaging act of musical collaboration, four each of its twelve sections written by Brazilian guitarist Sérgio Assad and his daughter Clarice, the remaining numbers composed by the four members of Chicago’s Third Coast Percussion. The aims are lofty, the archetypes selected to reflect the commonality of human experience and culture at a time when the world feels more fractured than ever. Though it’s very easy to enjoy this disc as a sequence of neatly sketched character pieces, the group’s sound enhanced by piano, guitar and Clarice’s vocals. The opener, Clarice’s “Rebel”, kicks off with a flurry of attitudinal drum rolls and cymbal crashes, and Sergio’s “Innocent” is a lovely portrait of wide-eyed innocence The sonorities throughout are so crisp, so clear; I’m fascinated by the guitar triplets and marimba semiquavers overlaid at the start of David Skidmore’s “Lover”, and the calm solemnity of “Ruler”, written by Peter Martin.…
Memeteria: Third Coast Percussion hits the Sweet Spot at Grand Teton Music Festival
August 13, 2021, by Thomas May
Week 4 of the Grand Teton Music Festival continued with an enthusiastically received performance by Chicago-based Third Coast Percussion making their Festival debut. Presented without intermission, the concert unfolded with unflagging energy as each member of the quartet — David Skidmore, Robert Dillon, Peter Martin, and Sean Connors — took turns introducing the selections. The entire program consisted of living composers — indeed, composers with whom Third Coast has collaborated. Their style of music making overall synthesizes a kind of surgical precision with frenetic spontaneity — and that intriguing blend is mirrored by their exciting visual performance, a virtuoso choreography that is functional and at the same time abstractly alluring. These are artists who make music by hitting things, their bodies acting, reacting, incorporating the sounds they produce. At times the performance resembled a wild physics experiment trying to calibrate new sources of energy. Expressivity as energy, in different shapes and contours, certainly characterized their renditions…
Music Web International: “Archetypes” review
July 6, 2021, by Rick Perdian
An archetype is an easily recognizable, readily stereotyped, sort of person. In their new release, Grammy Award-winning Third Coast Percussion joins with celebrated Brazilian guitarist Sérgio Assad and his daughter - vocalist, composer and multi-instrumentalist Clarice Assad - to portray in music twelve of these universal characters that defy time and place. Whether they be a magician, hero, lover or caregiver, the six composer/performers have created fascinating musical vignettes that capture the essence of the individuals that they depict. Third Coast Percussion was founded by Sean Connors, Robert Dillon, Peter Martin and David Skidmore to explore and expand the limitless sonic possibilities of the percussion repertoire. Through their concerts and residency projects with engineers, architects and astronomers, the ensemble has gathered an international following. It was the first percussion ensemble to win a chamber music Grammy Award for their 2016 Cedille label debut, Third Coast Percussion | Steve Reich and with Archetypes they might…
The Whole Note: “Archetypes” review
June 30, 2021, by Andrew Timar
For 15 years, Grammy Award-winning Third Coast Percussion has been praised for the “rare power” (The Washington Post) of its records filled with “an inspirational sense of fun and curiosity” (Minnesota Star-Tribune). The Chicago-based quartet currently serves as ensemble-in-residence at Denison University. On Archetypes Third Coast has invited celebrated Brazilian guitarist Sérgio Assad and his vocalist/composer/pianist daughter Clarice Assad to collaborate on an album with an intriguing conceit: to conjure up a dozen contrasting universal human archetypes in music. In 12 movements, each from three to just over five minutes, archetypal figures such as magician, jester, rebel, lover, hero and explorer take their turn at the thematic centre. Instrumentally and stylistically the music comfortably inhabits a double frame: contemporary percussion chamber music is infused with harmonically adventurous Latin jazz, acoustic guitar and occasional vocalise. The results of this genuine collaboration can be extraordinary. Archetypes IV: The Lover for instance, in its restless and surprising…
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