No musical techniques benefit more from visual performance than percussion. The number of ways that percussionists can produce sounds is limited only by the number of objects humans and nature have created. Many objects are deliberately made for making music. Some objects produce sounds that are not intended for making music. Most objects are not intended for making sounds at all. Even to the well-trained musician, the item being used to make a sound on a recording is not always obvious. A live performance allows one, for example, to watch a performer rub water-filled bowls or move a bow across a marimba or crotales.

Most of the objects onstage at Third Coast Percussion‘s excellent in-person concert on Thursday night were created for making music. The event was billed as a record-release party for TCP’s new release Perspectives, which was reviewed here. In addition to pieces on the new release by Danny Elfman, Phillip Glass, and Jlin, the concert also included music from previous releases by Devonté Hynes and Clarice Assad. (I’m still waiting for a full, live performance of Archetypes, last year’s excellent release that TCP did with Clarice and her father, the legendary guitarist Sérgio Assad.) Thursday’s concert included introductory video clips from Phillip Glass, Hynes, and Jlin.

One interesting aspect of watching percussion concerts is movement. The act of drumming by itself can be lively and intense, but members of TCP frequently move between different instruments within single pieces. This movement requires choreography that would not be needed in a typical classical music performance, which adds a new feature to a classical performance. On Thursday night, there were seven stations on stage where members of TCP were performing, and movement between the stations was frequent and, in some instances, fast.

TCP also adds multimedia elements to their performances, as some sounds are electronic. “Fields” by Hynes is from the collaboration TCP did with Hynes and Hubbard Street Dance Chicago a few years ago on the CD release entitled Fields. Thursday’s performance was accompanied by a video with choreographer/dancer Rena Butler.

In terms of performance, TCP delivered excellence, as they usually do. It is so nice to see them in person, and Chicago area residents will have several opportunities. On Monday, May 16, TCP will be performing in Elgin. On Friday, May 27, they’ll be at the Unity Temple in Oak Park. On Sunday, June 26, they’ll be at Constellation in Chicago. For more information, click here.

Click here to read the original review.

« Previous post: Chicago Reader: Third Coast Percussion rebuild Jlin’s experimental footwork by hand

Next post: NPR: Third Coast Percussion’s borderless music finds inspiration in fleet-footed beats »