Detailed Program Notes for “Currents 2019”: Give Us the Night – Amanda Feery

Give Us the Night was written for Third Coast Percussion’s Emerging Composers Partnership program. So far, Amanda has traveled the farthest to take part in our partnership, coming all the way from Dublin to workshop ideas with us in our Chicago studio.  Here we are having way too much fun picking out small quirky sounds for what would eventually become Peter’s part:

When Amanda first shared some of the ideas for her piece that she wanted to try out with us, she described the experience of walking down a street at night and hearing the muted music of a party going on inside a house or a bar in the distance.  Suddenly, the door swings open as someone enters or exits and you get a brief window into the musical world that otherwise seemed veiled and impenetrable.  We experimented with all sorts of things to try to achieve this effect, including covering drums with towels and then suddenly removing them to change from a muted sound to something more present.

Amanda’s thoughts on the work:

“I imagined Give Us The Night as a short film. We come upon the exterior of an abandoned space where faint remnants of disco patterns begin to filter through. Muddy kicks and corroded bells covered in webs eventually come into focus, and it is revealed that this supposedly abandoned space is teeming with revellers. The inspiration for the piece comes from exploring abandoned nightclub spaces on a U.S. road-trip. I was fascinated by the atmosphere of these spaces. They go beyond existing as a physical space; their walls have stories to tell.

“The piece particularly explores patterns, timbres, and harmonies from early house music, a style that has its origins in Chicago and Detroit. What interests me most about these now defunct spaces, is that they were some of the most inclusive, non-segregated, LGBTQ+-friendly spaces in the U.S. We are losing this in our current underground night-spaces—losing ways of listening and moving, losing a feeling of community in order for these spaces to be replaced by coffee chains, unaffordable apartments, and luxury hotels.”

Special thanks to Culture Ireland for their generous support of this project!

Detailed Program Notes for “Currents 2019”: Half Light – Taylor Rankin

Check out Half Light by Taylor Rankin performed by the composer here: https://www.youtube.com/watch?v=V-SWhsOgaiQ

Listen to more of Taylor’s music here: 

http://www.taylorjoshuarankin.com/listen

http://www.taylorjoshuarankin.com/composer-bioworks

Some thoughts about Half Light:

Third Coast got to know composer Taylor Joshua Rankin through Denison University’s TUTTI Festival hosted by our friend Ching-chu Hu, an incredibly unique new music festival in which absolutely ever single composer who has a work on the festival attends and the Denison students performing most of the works have the incredible opportunity of interacting in person with the composer of each piece they are playing. Taylor’s piece Half Light was selected through a very competitive call-for-scores process for TCP to perform on the festival. We became both giant fans Denison, Ching-chu, and Taylor in the same week 🙂 

Taylor is a young, dynamic artist whose work is influenced by American and European minimalism, art-rock, and electronic. Commended by Grammy-award winning Bay Area composer Mason Bates for having “a great ear harmony and texture”, he stands out as an exceptional artist of his craft.  His work has been played by many groups including Friction Quartet, Redshift Ensemble, and the NYU Marimba Ensemble. 

The term minimalist often refers to anything that has been reduced to its essentials. Combined with the artistic compositional techniques of art-rock and the tools of electronic music, Taylor has forged a distinct sound for his work. Aspects of his compositional works like instrumentation and harmonic detail reflect the features of these artistic movements.

Half Light features an extensive use of electronics and sampled sounds. Various samples including the buzzing of cicadas, the sound of rain falling, and differently tuned harmonicas create a sense of immersion into the unique character of the piece. Taylor recommends listening while driving fast or while walking down a wooded trail.  TCP recommends coming to our Currents show on Sunday to hear us open the concert with this jam! 

 

Notes by TCP intern Thomas Levine, June 2019